Word: orbison
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Dates: during 1980-1989
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Wheeler wisely cast actors strong on the comic aspect. John Bottoms moves smoothly from Roy Orbison raptures to sputtering outrage to weary depression; he can't quite bring off the tender pathos written into the script, but few could do any better. Stehlin turns a stock soap opera part (the idealistic male ingenue) into a combination of Matthew Broderick and Woody Allen acting out a Roy Rogers fantasy; he suffers worst from the capricious plotting, and can't expand his stage presence into a full three dimensions...