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College administrators say the ART has largely failed to live up to that role, though ART Executive Director Robert Orchard says such complaints are “disingenuous” because of the structure Harvard imposes on his company. Both sides agree that the relationship between the professional theater company and the Harvard-Radcliffe Dramatic Club (HRDC) is complicated by the arrangement...

Author: By David B. Rochelson and J. hale Russell, CRIMSON STAFF WRITERSS | Title: Falling Behind in the Space Race | 6/5/2003 | See Source »

...reserved for dance each year—say this is hardly enough. But for the ART, which pays its staff year-round, these twelve weeks mark a loss in ticket revenue and a “fundamental inefficiency” that he estimates at $1.5 million yearly, according to Orchard...

Author: By David B. Rochelson and J. hale Russell, CRIMSON STAFF WRITERSS | Title: Falling Behind in the Space Race | 6/5/2003 | See Source »

...real world, which (I’m told) plays like anything but a conventional screenplay. In last year’s Spike Jonze film, Adaptation, Nicolas Cage plays a writer who is all too aware of this. In trying to adapt Susan Orlean’s book The Orchard Thief into a screenplay, Cage desperately wishes to remain true to the original text rather than stuff the work into a typical Hollywood cliché-fest. When he meets a producer with other ideas, Cage complains that he doesn’t want to “cram...

Author: By Martin S. Bell, | Title: A Lesson from HUDS | 6/4/2003 | See Source »

...unique role to play in shaping national culture, and much of its prestige is buoyed by its dominant position in many artistic areas—the art museums and the ART are two of the most respected institutions in their fields internationally. According to ART Executive Director Orchard, “the kind of ambivalence that comes out of Harvard” is responsible for the national attitude towards the arts. “Its position vis a vis the arts is going to be scrutinized…In the educational world, people look at Harvard...

Author: By J. hale Russell, CRIMSON STAFF WRITER | Title: Arts Last? | 5/1/2003 | See Source »

...College expansion here in Cambridge. As it formulates those plans, the University must seriously consider the future needs of Harvard’s arts community. It is not only imperative to provide for adequate performance and practice spaces, but to build the right kinds of spaces. As Robert Orchard, executive director of the ART, noted at a panel on Friday, “I’m finding that younger generations are really less interested in traditional forms and more interested in hybrid forms, where music and dance and theater and visual arts collide in interesting ways. To have...

Author: By The CRIMSON Staff, | Title: Making Space for Arts | 5/1/2003 | See Source »

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