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Word: orchestra (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...tough choice whether to prefer Sekino's amazing dynamic control or her fabulous dress. Her rendition of the Mozart G Major Concerto began with projection problems but blossomed into a miracle of subtly shaded staccato. To be fair, Lin was better at conversing with the orchestra, but Sekino gave a more exciting performance. Where appropriate, she amplified the music to operatic dimensions...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: Classical Stuff | 4/16/1999 | See Source »

...April 19 the ad hoc Eliot Chamber Orchestra gave the fourth annual Rainforest Concert, to benefit the World Wildlife Fund. The small crowd was not disappointed, as the virtuosity of the two featured soloists (Joe Lin '00 and Yuki Sekino '99) proved to be irreproachable. Lin gave the fifth Mozart Violin Concerto and, due to the inferior quality of the ensemble, was forced to take everything down a notch. Tempi lagged but, on the other hand, the winds were wonderful in the andante. John Allanbrook '99, a musical jack-of-all-trades, elicited a deliberate, score--fixated performance from...

Author: By By MATTHEW A. carter, CRIMSON STAFF WRITER | Title: Concert Review: Classical Stuff | 4/16/1999 | See Source »

...medley of West Side Story tunes composed the second number of the evening. "Pas de Quartre" was a hard act to follow, and the dancers of "West Side Story" seemed a little awkward and over-dramatic in their attempts to match the beautiful first number. The Harvard Pops Orchestra, accompanying the dancers throughout the first act of the program under the musical direction of Allen Feinstein, seemed under-rehearsed and ill-prepared for Bernstein's score, leaving the dancers to cover the distracting and annoying amounts of musical blunders in the orchestra. Unfortunately, the overdramatic choreography didn't do much...

Author: By Erin Billinges, CONTRIBUTING WRITER | Title: PERPETUAL MOTIOBN: | 4/16/1999 | See Source »

Minyard herself choreographed the last piece of the first act, a jazzy dance set to Gershwin's "Rhapsody in Blue." The orchestra finally managed to pull itself together for this piece, and pianist Jason Leekeenan '02 effortlessly displayed his unbelievable finger-work on the notoriously difficult piano solos. Minyard's sexy, spirited choreography combined jazz moves, classical ballet and wacky gender-bending, and the dancers were obviously all having a ball onstage...

Author: By Erin Billinges, CONTRIBUTING WRITER | Title: PERPETUAL MOTIOBN: | 4/16/1999 | See Source »

...medley of West Side Story tunes composed the second number of the evening. "Pas de Quartre" was a hard act to follow, and the dancers of "West Side Story" seemed a little awkward and over-dramatic in their attempts to match the beautiful first number. The Harvard Pops Orchestra, accompanying the dancers throughout the first act of the program under the musical direction of Allen Feinstein, seemed under-rehearsed and ill-prepared for Bernstein's score, leaving the dancers to cover the distracting and annoying amounts of musical blunders in the orchestra. Unfortunately, the overdramatic choreography didn't do much...

Author: By Erin E. Billings, CONTRIBUTING WRITER | Title: Perpetual Motion: An Evening of Time, Money, and | 4/16/1999 | See Source »

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