Word: orchestra
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Dates: during 1990-1999
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...times during the performance, the orchestra's rhythms seemed jolted and their phrases choppy. In addition, the trumpets botched an entrance and the intonation between the flute and oboe was something less than desirable With the upper strings seated on the outside of the stage on both sides of the conductor, the imbalance of the string section was frequently overpowering.Traditionally, the cellos occupy the outer ring to the right of the conductor, and the Pops' alternate arrangement meant that the vocalists and soloists in the wind section were occasionally drowned out. But these were minor details, virtually forgotten through listening...
...like to be writing music definitely, but you can't really make much of a living that way. Maybe I'll be teaching somewhere or teaching a youth orchestra somewhere. But the composition I'd like to keep up, but using my other music skills. I guess with not going to a conservatory school, I really missed the intense teaching aspect. Here, music is geared towards scholarship about music rather than actual playing. I would want to live in some city with interesting musical stuff going on...New York, Chicago...somewhere in Europe...
Disney typically gambles big, then hedges its bets. To make F2K an event, it will premiere the film on Dec. 17 at New York City's Carnegie Hall, with James Levine, artistic director of the Metropolitan Opera, conducting the London Philharmonia. The orchestra will also play during the movie in London, Paris, Tokyo and, on New Year's Eve, Pasadena, Calif. Then, for four months, the film will be shown only on the gigantic screens in 75 IMAX theaters. (Our advice to moviegoers: sit in the back!) And to camouflage a high-art stigma, F2K employs genial onscreen hosts: Bette...
...normally takes between seven and eight minutes, here is over in less than three. The sole exception is the uncut version of The Sorcerer's Apprentice extracted from the original Fantasia, in which Leopold Stokowski hypnotized an anonymous band of Hollywood studio musicians into sounding just like the Philadelphia Orchestra in its blazingly vital prewar prime. Even the ancient paleo-stereo sound track of that sequence has a raw, visceral impact missing from the glossy digital audio heard elsewhere in Fantasia...
...sound. The harmonies (always in fourths or fifths) are sweet and solid when it comes to larger chorus numbers, but in the counterpoint lines where soloists sing against the current of larger groups, individual lines get lost in the shuffle of choral lines. Of little help was the orchestra which, while exceptionally strong throughout, could have restrained themselves a little just to give their struggling vocalists a chance. Consequently, a little amplification to boost clarity wouldn't have been amiss. However, it's hard to fault the pit players, because Sullivan's orchestrations are invariably flowing and grandiose...