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...start with HRO in 1964, when the student members of the orchestra elected him out of a lineup of six short-list candidates, all of whom had conducted for them in a role-reversal audition process. The faculty ratified the selection, and Yannatos has been teaching classes in the music department ever since...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

...compositions, which his students say are stylistically modern and experimental, often make their way into HRO’s concerts, and, over the course of the last 40 years, the orchestra has premiered many of his works. During that time, Yannatos has seen the organization through thick and thin, triumphantly leading during the good years and nursing it to health during draughts...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

Yannatos rebuilt the orchestra through the 1970s and by the mid-’80s, it was back in shape. Today, it is unquestionably the ascendant orchestral group on campus despite the competition from groups like the Bach Society...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

...Bach-Soc started about ten years before I came in, and part of it was because there were a lot of HRO kids who weren’t happy,” he says. “The kids took it upon themselves to organize this smaller orchestra, and then the Mozart Society happened when some kids came to me who did not make HRO, didn’t want to play in the Bach-Soc, and wanted to be in an orchestra...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

Bach-Soc expanded beyond its roots in chamber music, and for a time considered itself the most exclusive orchestra at Harvard, while the Mozart Society served as something of a talent feeding ground for HRO, according to Yannatos...

Author: By Leon Neyfakh, CRIMSON STAFF WRITER | Title: HRO Comes Alive | 4/22/2005 | See Source »

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