Word: orchestra
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...First Night's curriculum, but Claudio Monteverdi's L'Incoronzione di Poppea may still be one hell of a cultural experience. Forego a night at the Grille and hustle over to the Agassiz for the Harvard-Radcliffe Early Music Society and the Harvard Baroque Chamber Orchestra's presention of Monteverdi's final opera 8 p.m., Agassiz Theater, Radcliffe Yard. Tickets...
...sharp contrast to the almost mournful Kyrie, the Gloria began in an exuberant burst of energy from the entire chorus and orchestra. Celebrating the glory of God, Beethoven managed to represent this feeling of joyful gratitude through a wide variety of tonal colors and a quicker tempo. It was in the solo sections of the Gloria that the audience first got to really hear the warm, haunting voice of mezzo-soprano Rasmussen, a good match for Brewer's soprano...
...Credo best exemplified Beethoven's gifts for text-painting. In a description of Christ's resurrection, the chorus vividly repeated the word "descendit," (he descended) in a motif that alternated between the orchestra and chorus. The forceful repetitions ended with a descending solo clarinet figure. This line, which was unfortunately marred by a bad note, fell, as if from the heavens, to the pure tones of the unaccompanied quartet intoning the "Et incarnatus..." The Credo ended on a lighter note with a playful fugue on the text of "Et vitam venturi saeculi," (and the life of the world to come...
...Benedictus, the concert closed on the final part of the Mass, the Agnus Dei. Antony Pay's flawless clarinet solos blended well with the alternating vocal sections, and a distinctive period horn sound, in some very well played passages, filled out the instrumental solo sections. The combination of orchestra, chorus, solo vocal and solo instrumental lines in this final piece created a very pleasing sense of unity to end the concert. The only real problem with the program was that with only 60 minutes of music, it was not enough...
...years back the innocuous if slightly disturbing cable TV network made classical music headlines when it began to accompany its scrolling local weather reports with recordings of young violin virtuoso Gil Shaham and the Orpheus Chamber Orchestra performing Vivaldi's Four Seasons. Sales for the CD and for classical music in general skyrocketed, and Shaham rose to megastar status on the tide of his impeccable, resonant, almost glowing violin playing. At that time, however, Shaham was already a well-respected figure in the music world, having debuted at the age of 10 with the Jerusalem Symphony, attended Juilliard after graduating...