Word: orchestras
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Dates: during 1930-1939
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...string ensemble, as "snub-nosed." (I like her picture, myself.) And you deal with the instrument. The "horn" (the forest horn as the Germans call it), famed for the nobility of its tone, used chiefly to give an inner core of golden harmony to the music of the great orchestra, an instrument sonorous and yet almost incomparably romantic; for you it "beeps and purls." But that is not all. You go on to the "saliva" with which it becomes filled. Permit me, mister, just a word with you. In the course of perhaps two hours winding of the horn...
Wagner: Die Meistersinger, Act 3 (Saxon State Orchestra, Dresden State Opera chorus, Karl Bohm conducting, with Hans Hermann Nissen, Torsten Ralf, Margarete Teschemacher and other singers; Victor: 2 volumes, 30 sides). Superb singing, perfect teamwork, and the latest touches in crystal-clear recording, make this complete and bulky last act of Wagner's great comic opera the record of the year...
Richard Strauss: Ein Heldenleben (Philadelphia Orchestra, Eugene Ormandy conducting; Victor: 10 sides). Up-to-date recording technique makes Composer Strauss's autobiographical "Life of a Hero" scintillate. But Conductor Ormandy's interpretation has not quite the sweep of the performance recorded in 1928 by irascible Willem Mengelberg, to whom the autobiography was dedicated...
...press: "I hope to please the American public and if I do I shall become a citizen of your country. I do not wish to be known as a Wagnerian conductor, as I love the operas of all nations." Month later, stepping into the Metropolitan's orchestra pit recently vacated by Arturo Toscanini and his bald, black-bearded co-worker Alfred Hertz, Artur Bodanzky shook his baton at four hours of Wagner's Götterdämmerung. Critics were impressed. Bodanzky stayed, became a U. S. citizen and a permanent conductor at the Metropolitan...
...Last week at the Chicago Opera, 54-year-old Veteran Martinelli finally got his chance. Playing opposite buxom Kirsten Flagstad's bosom, his white hair covered with a blond wig, Tenor Martinelli sang his part without a misplaced guttural. But between towering Soprano Flagstad and the booming orchestra led by Flagstad's private accompanist, Edwin McArthur, Martinelli's long song of love was pretty well drowned out. To cap all, just before the final curtain Soprano Flagstad took the whole spotlight, and Martinelli had to get up out of his deathbed...