Word: ordered
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Dates: during 1930-1939
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...your article, "Hold Barred," included in the Radio department of TIME, April 24, be it known to you, sirs, that song lyrics need not be guilty of lingual tergiversation with a Krafft-Ebing tinge in order to get themselves barred from the Great Chains...
...order to improve the Dartmouth infield, which was notoriously weak early in the season, Tesreau has done everything but insert the managers into the starting lineup. He has shifted George Hanna, regular left fielder for the past two seasons, to third base. Joe Cottone, who has played third and first, is now at left field. Osmo "Swede" Linden, previously stationed at third, is now at first. Johnny Lendo, previously a member of the Dartmouth pitching staff, now fills in at short against left handed pitchers...
...work of the staff is two-fold, first to learn the use of instruments, and, second, to master the technique of putting a show on the air. Problems in connection with this phase of the work include: the acoustics of the broadcasting room; the placement of performers in order to avoid rebound and overemphasis; the accurate reproduction of sound effects so that "hoof beats in the distance" don't drown out the heroics of the act; and the blending of all parts of the program in the right proportions...
...making of the record. The needle must be adjusted to cut just right; the chemical makeup of the record must be neither too hard nor too soft; high and low notes must be carefully merged together. In all of these factors the staff plans extensive experimentation in order to learn the fundamentals of what goes on behind the scenes in a radio broadcast...
...with trombone by Neil Reed. No adjectives needed. . . For some remarkable changes, even for Ellington, get "Something To Live For" (Brunswick) and listen to the introduction. . . Hampton's "Wizzin' the Wizz" is supposed to be even better two fingered piano. I still think that they record him slowly in order to get that "Ride of the Walkyrie" effect...