Word: ordered
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Dates: during 1970-1979
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...right to aid an ally attacked by Israel. Charged Lavie: "This neutralizes the peace treaty of its real and meaningful essence. If this is accepted, we will not have peace with Egypt." There was concern, for instance, that Syria could mass troops threateningly on Israel's border in order to provoke an Israeli pre-emptive attack, thereby giving Cairo an excuse to join in a war against Israel...
...longer term, however, members of a united Europe might increase trade more with themselves than with the U.S., and a strong, viable ecu ultimately might rival the dollar as a real reserve currency. If that ever happens, Arab and other foreign governments might be tempted to sell dollars in order to invest in that odd new creature that has six parents...
...leaders thought it improper to spend money on bricks and mortar in the face of poverty and social crisis in nearby Harlem. But last week Bishop Paul Moore Jr., 59, announced a change of policy: building will start again in June. "Confrontation, picketing and burning down are not the order of the day," says Moore, who is. widely known as an activist priest. His "edifice complex," as churchmen dub it, will use a very special construction crew. Workers will be hired from Harlem and trained to cut stone in the medieval fashion under tutelage of a master builder imported from...
...brochure is slim, almost discreet, yet it has caused more anger in the art world than any book in recent memory. In gold capitals on a burgundy ground, its cover announces "The Nelson Rockefeller Collection." Inside it resembles-and is-a mail-order catalogue, with scores of lavishly shot objects. These range from an 18th century Chinese porcelain teapot stand ($65) to Age of Bronze, a nude youth by Rodin, at $7,500. Everything comes from Rockefeller's private collection-one of the most celebrated, public or private, in America. But everything is imitation. The Modigliani you can have...
...Delacroix Rubens, and so on down the history of art? Perfectly true: but in every case an artist was doing the copying and the result was another work of art. There is no relationship between the copies Rubens made, in the high humility of his mature age, in order to keep learning from Titian, and the mass production of plastic Egyptian lions by the merchandising division of New York City's Metropolitan Museum of Art. There may not be much wrong with such knick-knacks-as long as they don't become substitutes, in people's minds...