Word: orderers
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Dates: during 1980-1989
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Throughout his eight-week trial on charges of crimes against humanity, Klaus Barbie, the Gestapo commander of Lyons during World War II, showed no sign of remorse and no great interest in defending himself. Except for three days at the beginning of the proceedings and two forced appearances in order to be identified by witnesses, Barbie exercised his right under French law to boycott the courtroom. The ailing Barbie, 73, seemed almost indifferent to the outcome of the trial. Instead of facing his accusers, he remained in his three-cell complex in St. Joseph prison...
After Verges finished his closing arguments, the court ordered that Barbie be brought in to hear the 341 charges against him. Asked if he had anything to say, Barbie, looking frail in a gray suit, light blue shirt and necktie, replied in French, "I did not carry out the arrests ((of the 44 Jewish children)). I did not have the authority to order the deportations. I fought hard against the Resistance, which I respect. That was war, and the war is over...
...same time, the Soviet Union has been urging one of its closest allies in the region, Syrian President Hafez Assad, to show some signs of moderation in order to increase his influence with his neighbors. In April, not long after his return from a trip to Moscow, Assad went to Jordan for a secret meeting with his long-time enemy, Iraq's President Saddam Hussein. Except for Libya, Syria is the only Arab state that backs non-Arab Iran in its seven-year war with Arab Iraq. Assad is believed unlikely to be ready to change sides in the gulf...
...aborted fetuses, which often have serious genetic defects. In any event, Sladek believes animal research on fetal tissue should continue for several more years before fetal-cell transplants are even attempted in humans. He and Redmond plan to treat monkeys and observe them for two to five years in order to detect any unexpected long-range effects. Still, Sladek is optimistic. Says he: "I just know it's going to work...
...live and unrehearsed, arranges four or five guests around a low table, with a small studio audience behind them and Pivot at the head. Pivot devises a specific theme for each show (the body and how we conceive it, love in the ancient world), carefully choosing his guests in order to orchestrate a lively discussion. Each is given the works of the others well in advance and is expected to read them thoroughly. Current books are discussed along with older, often obscure works. "The show is intended to make people read," Pivot explains, "to trap the viewer by letting...