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Word: orderings (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Start brunch off with one of Shanghai's soups. The tender bean curd is mostly thick and custardy; it melts in your mouth and sits in a bath of broth. We had the sweet variety, although you can order it salted as well. Another of Shanghai's sweet soups is the sesame rice ball. This is a very sweet broth containing one-inch dough balls filled with sesame seeds. They have the consistency of bubble gum and could choke even the most flexible esophagus. Keep away! If you don't like sweet things, be careful. Shanghai really sugars their stuff...

Author: By Nancy A. Tentindo, | Title: A Short Leap Forward | 3/1/1979 | See Source »

After your soup, it's possible to order one of everything on the menu and still not go broke. Each pastry is about 40c. The sweet bean pie is an all-time favorite at Shanghai. It's a little, hard round ball with a flaky crust and filled with a creamy, sweet bean paste. By far, the best thing on the menu...

Author: By Nancy A. Tentindo, | Title: A Short Leap Forward | 3/1/1979 | See Source »

Another favorite is the steamed bun with pork and vegetables. These are fat, doughy rolls which have been steamed, giving the dough a fluffy, light quality. Inside are chopped up bits of pork and vegetables. However, you can order them with just plain pork (no vegetables) or the same sweet bean filling mentioned above...

Author: By Nancy A. Tentindo, | Title: A Short Leap Forward | 3/1/1979 | See Source »

...Bulkeley, like Journal readers who wrote letters to the paper supporting his account of the class, questions whether or not students need to lie at all in order to identify and learn to cope with deceit they may encounter in business...

Author: By Cecily Deegan and Stephen R. Latham, S | Title: The B-School vs. The Wall Street Journal | 3/1/1979 | See Source »

AFTER THE SHOW, as the lights go up, Krieger invites the audience to talk to any of the cast and crew. People stay finally reading their programs. Several quotes connecting isolation and women's liberation, with the need for people to share their lives in order to "destroy the conditions of their common oppression..." The message brought by paper mache clouds and the jux-taposition of the plays starts to become clear. When asked about the set, Krieger said that it was supposed to create a slightly threatening environment. Only then does it make sense, but during the performance...

Author: By Alice A. Brown, | Title: Politics at the Ex | 2/28/1979 | See Source »

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