Word: ores
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Dates: during 1990-1999
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...readings and reach new audiences. I first heard about them in 1991, when I reported on the growing phenomenon for TIME. Like many poets, I was suspicious of the concept. How could you judge poetry? Why would you want to? But when L.A.'s first team went to Portland, Ore., in 1996, I tagged along with some friends. While not everything I heard fit my definition of poetry, it was a Woodstock of words, images and rhythms that stayed with me for weeks. I got hooked. Now I am defending my title as 1997 Head-to-Head Haiku champ...
...know what it means," says Carl Bell, a University of Illinois psychiatry professor who has worked with troubled urban kids for two decades. "I've talked to seven-year-old kids who think when you're dead, you're just hanging out somewhere." And Paul Mones, a Portland, Ore., lawyer and a leading expert on young murderers, says, "Kids are naturally egocentric. Kids can be told they will go to hell, but they don't really think they'll go to hell. When kids lie about stealing a cookie, they don't feel bad like an adult...
...your report about pay-for-play on the radio [SHOW BUSINESS, Aug. 3], you gave a false impression of the Flip Records/Interscope band Limp Bizkit. Although in the spring of 1998 Flip/Interscope did have a pay-for-play contract with radio station KUFO of Portland, Ore., the arrangement didn't really have any long-term impact on Limp Bizkit's success. Before there was significant airplay from any radio station, including KUFO, Limp Bizkit's debut record, upon release in July 1997, landed on the Billboard Heatseekers Chart and stayed there for more than 40 weeks; it will be gold...
...local retail stores suffer and some are forced to close, there will be poorer local selection and services. More people will desert local merchants to send their consumer dollars to businesses and shippers who have no interest in or commitment to the buyer or community. GARY JARMAN Corvallis, Ore...
...Limp Bizkit is attracting less attention for its music than for one way the group made its breakthrough. In April its label, Flip/Interscope, signed an unprecedented contract with radio station kufo of Portland, Ore., agreeing to pay $5,000 in exchange for 50 plays of Bizkit's single Counterfeit. "Pay-for-play," as this kind of arrangement is called, is a controversial new twist on the old, discredited practice known as payola: instead of letting songs rise or falter on their merits in the tough record marketplace, some labels are improving the odds by paying radio stations cash to play...