Word: oresteia
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When the public and the critics decided back in 1931 that they liked "Mourning Becomes Electra," they were welcoming the most ambitions, and perhaps even the most dramatically effective effort ever seen in the American theater. The play, a modern version of Aeschylus' resounding and grisly trilogy, "The Oresteia," lasted five hours, during which there were four violent deaths, a number of suggestions of incest, and scarcely a letup in the terrible tension. Now comes the movie. No concessions have been made to the public's sentimentality, and the compression of the film to two and a half hours makes...
...Mannons were the first family of a small New England seaport of 1865. Through the body of their Freudian existence, O'Neill has rammed the misfitting dramatic skeleton of the Greek trilogy, Oresteia...
Aeschylus: Oresteia...
...worn, most people admire it. When Broadway roared last season at Jean Giraudoux's Amphitryon 38, it was really patting some forgotten Greek dramatist on the back for his Amphitryon 1. When Broadway flocked to O'Neill's Mourning Becomes Electra, it was saluting Aeschylus' Oresteia with a Down-East accent. And given practically straight, Aristophanes' lewd, witty Lysistrata proved a Broadway...
...First and Second Academic Art Theatres (i. e., the so-called "Moscow Art Theatre" recently brought to the U. S. by astute Morris Gest). The same repertoire with which they appeared in the U. S., likewise the Prometheus and Oresteia of Aeschylus, a. d. Shakespeare's Hamlet...