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...topics raised in South African crime novels reflects the trends out on the streets. Margie Orford, author of Like Clockwork and Blood Rose, focuses on the endemic violence against women and children. "I think we are in a state of civil war against women and children and the perpetrators of violent crime are overwhelmingly male," she says. "There is a sense of unbridled misogyny and entitlement...

Author: /time Magazine | Title: South Africa's Crime Wave — in Bookstores | 4/2/2008 | See Source »

...sense of resolution and closure offered by dealing with crime via fiction. "It does feel very bleak and black sometimes, but crime is a fantasy genre, even while making social comment," says Orford. "The good guys win, just for a while...

Author: /time Magazine | Title: South Africa's Crime Wave — in Bookstores | 4/2/2008 | See Source »

Dole's opponents are outraged. Buchanan confronted Dole about the tactic, called push polling, during the debate last week in Manchester. What's more, many voters who received the calls are upset. "It's sleazy and makes me mad," says Andrew Schwaegler, 29, a tree farmer in Orford who claims he got four calls that included assertions about Steve Forbes' positions on gays in the military and abortion...

Author: /time Magazine | Title: CAMPAIGN '96: IS IT POLLING OR IS IT PUSHING? | 2/26/1996 | See Source »

...ranks dead last among all states in per-capita charitable giving. Even more telling is that 16% of New Hampshire families who report adjusted gross income in excess of $200,000 also report absolutely no charitable contributions. As New Hampshire goes, so goes the nation. THOMAS H. TRUNZO JR. Orford, New Hampshire

Author: /time Magazine | Title: Letters, Dec. 25, 1995 | 12/25/1995 | See Source »

...disc's sound is adequate if unspectacular. The heavily resonant acoustic of the Church in which the recording was made (St. Bartholemew's in Orford, Suffolk) seems inappropriate to the drawing-room setting for which the Canzonettas would originally have been destined. But this detracts only slightly from the overall listening experience. Watkinson's voice is splendid, negotiating passage that, originally written for castrati, are at times unsettlingly low. Wilson's accompaniment on the pianoforte rather than the modern piano is unexpected. However, right from the opening measures of the cantata, it seems to fit perfectly, illustrating ably the merits...

Author: By John D. Shepherd, | Title: Haydn and More Haydn...Joseph, that is | 2/27/1992 | See Source »

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