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...original version of this story misidentified the body's insulin-producing organ. It is the pancreas, not the liver. The story also misstated that high-fructose corn syrup is cheaper than glucose. It is not, but it is cheaper than sucrose...

Author: /time Magazine | Title: All Sugars Aren't the Same: Glucose Is Better, Study Says | 4/21/2009 | See Source »

...however, that will be necessary to develop stem-cell therapies for human use. It's unlikely that the Food and Drug Administration would approve any stem cell therapy that involves transplanting cells or tissues from one patient to another, without addressing the potential of immune rejection - but as our organ transplant history reveals, these challenges remain formidable...

Author: /time Magazine | Title: NIH Eases Restrictions on Stem Cells | 4/17/2009 | See Source »

...Meat represents the essence of something: We strive to “get to the meat of a matter”; in contrast, vegetables denote the comatose and the mentally disabled. When used in connection with man, meat is power: It is the life-giving sex organ and the ability to dominate over others, both physically and sexually. Yet, when used in connection with woman, meat implies objectification: The severing of the female from her full emotional self to construe her as an object for male consumption...

Author: By Courtney A. Fiske | Title: Veganism as Sexism? | 4/13/2009 | See Source »

This is why default options pack such power. Most of us will save for retirement, run our computers in energy-efficient mode and be organ donors if we have to take action to say no - but not if we have to take action to say yes. Almost nobody signed up for a German utility's clean-energy plan until it became the default, and then 94% stuck with it. We're also much likelier to go to the doctor for preventive care like flu shots if the appointment is made for us. In a speech last year, Orszag even suggested...

Author: /time Magazine | Title: How Obama Is Using the Science of Change | 4/2/2009 | See Source »

...Margaret as she falls in love with a shapeshifting faun named William whom she meets in the forest. In four acts, an evil queen and a villainous rake try to destroy the couple, but these hazards only succeed in ending their lives, not their love. Beginning with a slow organ crescendo that leads into Meloy’s somber introduction in the first variation of a recurring “Hazards of Love” track, the first act progresses into bombastic power chords as Margaret enters the treacherous forest. The second act adds a reprise...

Author: By Matt E. Sachs, CONTRIBUTING WRITER | Title: The Decemberists | 4/2/2009 | See Source »

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