Word: organisms
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Dates: during 1970-1979
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...film has become an evil, omnipotent promoter of rock music named Swan. The theater the Phantom haunts is no longer an opera house but a rock palace on the order of the old Fillmore. Phoenix (Jessica Harper), the woman he hopelessly loves, is now an aspiring pop singer. The organ the Phantom used to pound away on down in the sub-subbasement has become an electronic synthesizer...
...offered by John Wood it will only be by some special dispensation of Thespis. Little known to U.S. theatergoers except for his Guildenstern in Tom Stoppard's Rosencrantz and Guildenstern Are Dead, Wood belongs among the top dozen actors of the English-speaking stage. His voice is an organ of incisive command. He moves with the lithe, menacing grace of a puma. In an instant, he can range from partygoer prankishness to inner desolation. At the core of his being, he is a raging, inviolate perfectionist...
...losing a breast to cancer any more "tragic" than losing a spleen. It is a lot less tragic than losing a limb or vital organ...
Third Season Cambridge Concert Series presents its first concert: Edward Tarr, trumpet, and George Kent, organ, playing Baroque, Classic, and con-temporary works. Tickets $3.50. Sunday...
Carnegie's new organ will do that in a way not obvious to the average listener. Different orchestras often have different pitches. The standard middle A, to which most orchestras tune, is 440 cycles per second. But the Vienna Philharmonic, for example, tunes to 445 for a brighter sound, while the New York Philharmonic prefers 441. Since the pitch of an ordinary organ-pipe or electronic-is immensely difficult to change, touring orchestras never bring along "organ works. But Carnegie's new Rodgers can be tuned from 435 to 445, or anywhere in between, with the turn...