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Word: organists (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Verdi was born of peasant stock near the town of Busseto in the Po Valley in 1813. When he was 18, the townsfolk sent him to Milan Conservatory, hoping that he could be trained to become Bus-seto's organist and orchestra director. But the conservatory examiners flunked Verdi; his talent for composition, they said, was "passable," but his pianoforte technique was ruined by "a faulty position of the hands and wrists." This "blow to all his pride and hope was so terrible" that Verdi never forgot, never forgave it. Helped by a friendly patron, he buckled down...

Author: /time Magazine | Title: Books: Cammina! Cammina! | 5/19/1958 | See Source »

...highlight of the dinner was a "farewell speech" by G. Wallace Woodworth '24, James Edward Ditson Professor of Music and University Organist and Choirmaster, who has resigned as director of the Glee Club...

Author: NO WRITER ATTRIBUTED | Title: Glee Club Picks Beveridge As Next Year's President | 5/19/1958 | See Source »

...succeed him, the Club elected Elliot Forbes, former conductor of the Princeton University Glee Club, as director of the HGC and the Radcliffe Choral Society. The University will appoint another musician as University organist and choirmaster, who may become associated with the Divinity School...

Author: NO WRITER ATTRIBUTED | Title: Woodworth Resigns HGC Conductorship to Forbes | 5/14/1958 | See Source »

...organ, as in Sunday's performance, made painfully clear. The instrumental effects, such as pizzicato, used as a foil to the voices; the tonal texture of different groups of instruments; and the all-pervading crescendo and diminuendo which is so essential--all these are impossible for an organist...

Author: By Paul A. Buttenwieser, | Title: Brahms' Requiem | 5/6/1958 | See Source »

...efforts of the organist, James Armstrong, to surmount these difficulties while playing an extremely difficult part, were in some cases, notably the tremendous crescendo in "Behold, all flesh," very successful. However, his choice of stops was not always happy, particularly in the use of reeds in quieter sections. But the main defects were entirely beyond his control: the sense of release which is so integral to the form of the work is impossible except as indicated in the original scoring...

Author: By Paul A. Buttenwieser, | Title: Brahms' Requiem | 5/6/1958 | See Source »

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