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...delegates nonetheless went through the motions. All but swallowed up in the cavernous Freedom Hall, they dressed in red, white and blue ensembles, sang along when the organist played Yankee Doodle Boy and God Bless America, and dutifully waved their placards (read one: THIS is OUR COUNTRY AND WE AIM TO GET IT BACK -BUY LETTUCE AND GRAPES...

Author: /time Magazine | Title: POLITICS: The Headless Horseman | 8/14/1972 | See Source »

...John Kiley, organist for the Red Sox, Bruins and Celtics...

Author: By E.j. Dionne, | Title: The 'Which Way to Fenway' Sox Quiz | 5/26/1972 | See Source »

...tension was noticeably high on both teams before the important their game. As John Kiely, the Garden's organist tickled the keys of his Whirling Wurlitzer" in a stepped up tres vito Jerry Lucas, the Knicks center, paced up attention poised Knick bench. This was it. If the Celts lost, they would be down 3-0 facing elimination in New York on Friday...

Author: By M. DEACON Dake and Mike Feldberg, S | Title: Fan fight Sparks Celtic Win Over N.Y. | 4/20/1972 | See Source »

...Organist David Smith presented five works by Jan Sweelinck in two interludes during the program. The Fantasia Chromatica was the standout with its nearbaroque intensity and artifice finishing with an explosion of virtuoso figures. All five pieces were played with intelligence and imaginative registrations. Once again John Adams has provided an outstanding program, bringing together two of the area's very finest choral groups in a sensitive, thoughtful presentation. He did as much with sacred music as is possible in a distinctly secular...

Author: By Kenneth Hoffman, | Title: Tudor Church Music | 3/22/1972 | See Source »

Several major collaborations of this sort were released last year. My favorite is Blue Memphis Suite (Warner Brothers), which features the incomparable singer-pianist Memphis Slim, backed by guitarist Peter Green (Mayall's Bluesbreakers, Fleetwood Mac), organist John Paul Jones (Led Zeppelin), Duster Bennett on harmonica, Chris Spedding, Pete Winfield, and others. The performance of everyone, especially producer Philippe Rault, is absolutely flawless; the juxtaposition of early Forties blues structure with ultramodern instrumentation and arrangement completely transcends the concept of mere revival. It is a tour de force of textural and harmonic complexity within the blues idiom. On side...

Author: By Charlie Allen, | Title: The Crimson Supplement | 1/19/1972 | See Source »

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