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Cultural Backwater. Much of the credit for Rake's success goes to its director, tiny (5 ft. 2 in.) Paul Callaway, 49, organist and choirmaster at Washington Cathedral (Protestant Episcopal), who organized the Opera Society in 1956. In a city that has long been known as a cultural backwater, the company was financed by contributions averaging $100, plus some sizable gifts from Washington society's "cave dwellers," including Mrs. Herbert May (formerly Mrs. Merriweather Post), Mrs. Robert Low Bacon, Mr. and Mrs. Robert Woods Bliss...

Author: /time Magazine | Title: Music: Capital Culture | 2/23/1959 | See Source »

...Organist & Theme. The result of Picasso's labors was a huge canvas done all in greys and a covey of brilliantly colored smaller paintings in which he explored details of specific figures. Last week critics and public got a first glimpse of them in reproduction, with the publication in Paris of a limited edition (to be published in the United States this spring...

Author: /time Magazine | Title: Art: The New in the Old | 12/22/1958 | See Source »

...program will include scripture readings as well as Christmas carols. John R. Ferris, University Organist and Choirmaster, will direct the services, which are free and open to the public...

Author: NO WRITER ATTRIBUTED | Title: Choir to Sing Carols At Christmas Service | 12/16/1958 | See Source »

...service of music in memory of the late Ralph Vaughn Williams will be presented by the Harvard University Choir at 8 p.m. tomorrow in Memorial Church. John Ferris, choirmaster, will be the organist...

Author: NO WRITER ATTRIBUTED | Title: Choir to Honor Vaughn Williams | 11/8/1958 | See Source »

...bore," Twelve-Tone Pioneer Arnold Schoenberg an arrested post-Romantic who "discovered the words but never found the proper syntax for them." Just about the only older composers for whom Boulez has a kind word: Schoenberg's late pupil Anton Webern, and France's 49-year-old Organist-Composer Olivier Messiaen, from whom Boulez sought composition instruction after giving Paris' traditionalist Conservatoire the back of his hand ("The composition professors were imbeciles"). From Webern, Boulez derived and refined Schoenberg's twelve-tone technique to its uttermost austerity, and from Messiaen he absorbed an interest in Oriental...

Author: /time Magazine | Title: Music: Sound of the Future? | 8/25/1958 | See Source »

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