Word: organization
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Dates: during 2000-2009
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Over 100 students and members of the Harvard community entered Memorial Church to the strains of organ music to commemorate Hui Wang ’08 yesterday afternoon. A funeral service for Wang, an Eliot House resident who died in a car crash in New York on Oct. 7, was held Tuesday in Boston’s Chinatown. Wang, 22, was a member of the Outing Club and the Harvard Table Tennis Club, and a longtime volunteer with PBHA’s Chinatown ESL program. Wang’s friends and family—including his parents, who arrived from...
...Kaddish Symphony.” Cabell, who was phenomenal throughout the night, sang this long piece in a consistently high register but never showed signs of faltering. Backed by the women of the Bernstein Festival Chorus, as well as Yoshitaka Yamamoto ’08 on masterful organ and Carrie E. Andersen ’08 on percussion, “Kaddish” revealed the power of Bernstein’s music and left the audience stunned.The intensity continued as able conductor Judith Clurman led the Chorus through selections from the “Chichester Psalms...
Part two, “The Landlord’s Daughter,” explodes to a mad, kaleidoscopic organ climax as the stranded sailors rape an islander (“I’ll take no gold, miss / I’ll take no silver / I’ll take your sweet lips”). Then the song flows into “You’ll Not Feel the Drowning,” a soft, dark acoustic denouement...
...Medical School became the most recent Harvard organ in search of a new chief executive yesterday when Dean Joseph B. Martin announced that he would conclude his term in July.The Medical School will now begin a dean search at the same time as Harvard looks for a new president and the Faculty of Arts and Sciences seeks to find a new dean.The search won’t be concluded for several months. Interim President Derek C. Bok, who has already said that he will not select the next Faculty dean himself, has chosen as well to defer this decision...
...than ever to finding a comfortable voice through which to share his nightmares. Gone are the more challenging, Tom Waits-influenced bits of previous work, replaced now with a menagerie of mixing techniques that do more to connect the dots, sonically, than ever before; beneath the fuzz, the droning organ, and the nasal edge of his voice, are the same melodic variations that have rewarded patient, discerning listeners for eleven years. In what may come to be seen as a step from the darkness into the light, Linkous has, with a little help and a lot of time, once again...