Word: organizations
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Beach House’s “Teen Dream” is the musical version of a narcotic, carrying away the listener into a heavenly realm of lush pop melodies and intimate organ beats. Coming into their own on their third album, the Baltimore dream pop duo—consisting of Victoria Legrand and Alex Scally—maintain their past convention of chill intimacy, while adding new layers that knit together to produce a more polished sound, setting the album apart from their previous work...
There are differences between the brains of men and women. Women have lady-parts, about some of which monologues have been written, and those lady-parts, like every organ, are regulated by the brain. A true scientist must concede that some of those differences may have an impact on cognition. Those lady-parts certainly prevent teenaged boys and the occasional state governor from thinking clearly...
...prefers to be like their own. As a sociological phenomenon, Caputo, wonders if the growing power of women in contemporary life and relationships pushes certain men to seek what he calls a "neo-woman," who is hormonally and behaviorally quite feminine and protective, even while possessing the male sex organ. (Read: "How Silvio Berlusconi Uses Women...
...doctors who kept trying was Stanford University's Norman Shumway, on whose surgical techniques Barnard had relied. His team of doctors and scientists developed a technique to determine whether a patient's body was gearing up to reject an organ, allowing them to tailor their prescriptions of immunosuppressants. The results were impressive. From 1968 to 1980, nearly 200 heart transplants were performed at Stanford. About 65% of Shumway's patients survived at least one year, and half hung on for five...
...popular “Piano Concerto No. 2 in G minor.” The solo piano passage that opens the piece—whose lack of a conventional orchestral prologue or a customarily slow second movement deviates significantly from the standard concerto structure—calls a Bach organ fantasy to mind. Sweeping broken arpeggios paired with a vibrant treatment of melody distinguished de la Salle’s delivery, though an enthusiastic orchestral accompaniment sometimes overpowered piano chords that were already slightly lacking in fullness...