Word: organize
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Dates: during 1970-1979
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Recently, Carnegie officials had to face an agonizing acoustical problem: the hall needed a new pipe organ. The old instrument, installed in 1929 but never totally satisfactory, had been removed in the mid-'60s. But to install a new console and set of pipes would have meant tearing out the stage walls and changing their shape. To Carnegie's executive director, Julius Bloom, that would have been as risky as prying apart a Stradivarius violin. What...
What Carnegie did was go electronic. Last week at a gala recital presented by Concert Organist Virgil Fox, the hall showed off its newest feature-a behemoth that can growl, sing, tinkle, purr and blast in a way unmatched by any other organ. A one-of-a-kind creation built by the Rodgers Organ Co. of Hillsboro, Ore., the new instrument is the most up-to-date and expensive electronic organ in the world. Carrying a price tag of $200,000, it took 23 months to design, construct and install. The finished product fairly bulges with audio-oscillators, sine-wave...
...speakers in 29 cabinets, four of which are 30-in. woofers (for the deep pedal tones) located high in the flies above the stage. The output of the five manuals (keyboards) comes from 18 cabinets strung invisibly within the proscenium arch behind acoustic gauze. In essence the new organ is a giant electronic sound synthesizer. Yet Fox's performances last week -despite his wearisome look-at-me antics and often histrionic interpretations of Bach, Franck, Dupre and Vierne -demonstrated that Carnegie has a superb instrument capable of Baroque festivity, Romantic mystery and 20th century guts and power. Its complex...
...Carnegie's new Rodgers really worth all that time and money? Emphatically yes. Fox's recital was merely the first of an inaugural series this season featuring such other eminent organists as Pierre Cochereau, Fernando Germani and Claire Coci. More important, perhaps, the new organ will permit performances of a sizable repertory of neglected works for orchestra and organ-notably the Saint-Saens "Organ" Symphony, the Poulenc Organ Concerto, and the concertos of Handel and Haydn...
...tune is marked instrumentally by the melodic exchange between organ and synthesizer which further on develops into an exchange of several phrases between Wood's flute and Winwood's piano. The piece reaches its climax with several rapid-fire sax glissandos and the re-entering of the synthesizer. There is not only a shift in melody and countermelody among instruments, but a shift in rhythm, too. Finally, in the title cut, Winwood delivers one of his most vocally concentrated efforts with lyrics along the same theme as "Sometimes I Feel So Uninspired...