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Strauss's advice that economy of gesture can be more effective than the manners of the grand dompteur," praised Die Welt. Heath, who won an organ scholarship at Oxford in the 1930s, had a ready explanation for his greater success as conductor than Conservative Party leader. "The orchestra has 120 musicians," he observed, "and Conservatives in the House of Commons number...

Author: /time Magazine | Title: People, Apr. 28, 1975 | 4/28/1975 | See Source »

Unfortunately, the Lamentations were interspersed with organ works by the little-known modern French composer Jehan Alain. Despite the confident playing of Daniel Hathaway, the mainstay of the first tenors. Alain's eclectic and grating style created an unpleasant contrast to Renaissance ethercality. They emphasized that the unique Renaissance mixture of an exalted religious devotion and a classical sense of propriety has been irrevocably banished from modern music and the modern world...

Author: By Joseph Straus, | Title: From A Lost World | 4/15/1975 | See Source »

Wolfe had cooked up an elaborate theory: that the novel rose to success because it was an organ of social realism, and that at its height novelists did real research before writing. But after the Second World War, the novelists dropped the baton and, passing into the ozone of interior landscapes, wrote about nothingness and such. That left the way open for the new journalism, which was a great revival of social realism and had therefore replaced the novel as the dominant literary art form of the modern age. All that was stated; what was implied, of course, was that...

Author: By Nick Lemann, | Title: Joining the Enemy Camp | 3/26/1975 | See Source »

...certainly not opposed to personal discourse with him on the Arab-Israeli conflict, and I suspect he knows where my office is located. But the issues involved in the Arab-Israeli conflict cry out for serious public discussion in the Crimson (the Harvard community's most widely read organ) and I wrote my letter precisely with this in mind...

Author: NO WRITER ATTRIBUTED | Title: MY HUNCH | 3/8/1975 | See Source »

...Thomas Edison's The Great Train Robbery (1913). The Phantom of the Opera. This must be the 1925 Rupert Julian American version with Lon Chaney and Mary Philbin (the best version), because Harkness Commons is featuring a live piano player. Too bad there can't be an organ there for the Phantom pumping away at Toccata and Fugue in the sewers under the Opera House...

Author: By Richard Turner, | Title: THE SCREEN | 3/6/1975 | See Source »

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