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Through the organ is unsuccessful usually, the placement was well-suited to the church's architecture. By locating the unit within the small left transept facing the rear sound is easily projected to the back of the nave, encircling the entire congregation. The registrations are those of a baroque organ with many mixtures available over a presumably powerful fundamental. The reed stops tone is too often a nasal shriek. This was not helped by some faulty voicing of the individual pipes. But the biggest disappointment is the pedal division. Even the thirty-two-foot Untersatz the loudest stopped-pipe normally...

Author: By Kenneth Hoffman, | Title: Baroque Organ Dedication | 10/11/1972 | See Source »

...ORGAN INAGURAL concert, by its very infrequence, is bound to attract attention. All the more so in the case of the most recent dedication in Cambridge the First Church`s new instrument marks the first appearacne in this country of an organ designed by the firm of Theodor Frobenius & Sons of Copenhagen...

Author: By Kenneth Hoffman, | Title: Baroque Organ Dedication | 10/11/1972 | See Source »

...program for the content might be called imaginative if only for the inclusion of Poulenc's Concerto in G Minor for Organ, Strings, and Tympani, James Johnson, Music Director of the church and organ soloist, has an impressive technique at his disposal. He tore right into the beginning of the Poulenc--a dramatic start with the volcanic sound of double bass and tympani joining the organ...

Author: By Kenneth Hoffman, | Title: Baroque Organ Dedication | 10/11/1972 | See Source »

...gentler moments: but their lead was not followed by Johnson. Nonetheless, the performance was tremendously exciting--especially at the recapitulation of the opening chords that closes the work. The Poulenc deserves to be heard more often. Like the Saint-Saens Third Symphonyor Jongen Sinfonie Concertante, the scoring of organ and orchestra cuts down on possible presentation sites...

Author: By Kenneth Hoffman, | Title: Baroque Organ Dedication | 10/11/1972 | See Source »

Like Humperdinck, Mills was born in India, the son of a British soldier. Like Jones, he grew up in Wales (after his father returned to the little mining town of Tonypandy). As a young man just out of the army, Gordon began playing a mouth organ in theaters and clubs, eventually becoming the harmonica champion of Wales. He gravitated to London, landed a job with the Morton Fraser Harmonica Gang, formed a vocal group called the Viscounts, then tried his hand at songwriting...

Author: /time Magazine | Title: Show Business: That Mills Magic | 9/11/1972 | See Source »

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