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...first year a coordinated course on cell and organ biology, taught primarily by the Biological Sciences Council, would constitute the major experience. This would be supplemented by Clinics designed to indicate the Importance of cell biology to clinical medicine. The students will make their first contacts with patients through instruction in interviewing...

Author: NO WRITER ATTRIBUTED | Title: Revising the Medical School's Curriculum: A Full Text of the Report to the Faculty | 10/1/1966 | See Source »

...heart! With horror the voyagers realize that the only way back to the brain lies through the gnashing organ whose terrible turbulence would smash their delicate ship to smithereens. Then all at once top brass (Edmond O'Brien and Arthur O'Connell) has a dazzling idea: if the patient's heart were stopped for 60 seconds, the submarine might squeak through the right ventricle without getting tangled in the chordae tendineae that hang there in hundreds like looping lianas...

Author: /time Magazine | Title: Cinema: 20,000 Mm. Under the Skin | 9/9/1966 | See Source »

...apes possess a savage and unrestrained libido. Actually, they are scarcely interested in sex at all. In 466 hours of directly observing gorillas in the wild, Anthropologist George Schaller witnessed only two copulations and one unsuccessful try. Furthermore, gorilla swains are sadly underendowed by human standards: the erect male organ measures a scant...

Author: /time Magazine | Title: Books: Bad Neighbors | 9/9/1966 | See Source »

CARL WEINRICH: MOZART SONATAS FOR ORGAN AND ORCHESTRA (RCA Victor). Mozart served a short stint as official organist for the Archbishop of Salzburg. His 17 organ sonatas, though intended as insertions in the Mass, are less religious works than graceful incidental music. Organist Weinrich understands this, and gives a luminous, flexible performance...

Author: /time Magazine | Title: Television: Aug. 26, 1966 | 8/26/1966 | See Source »

...spite of a few unconvincing utterances from the trumpets, the Gabrielli was most satisfactory. While here and in the Sarti one might have hoped for a slightly less room-fulling sound from the organ, the ecclesiastical air of the music was quite effective. Soloists for the In Ecclesiis were Sally Thomas, Soprano; Pamela Gore, alto; Carl Schmidt, tenor; and James Jonse, baritone. The Sarti Fugue, a double fugue of a relatively primitive sort, demonstrated the ability of the singers to make a somewhat intricats, overworked piece into a worthwhile listening experience...

Author: By Daniel P. Gannon, | Title: Summer Chorus | 8/23/1966 | See Source »

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