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...manifesto is "a test of our discipleship," said the Most Rev. Donald Coggan, Archbishop of York. "Do we or do we not mean business? We must decide what is more important: a posh organ in the church, or literature in Africa, where the sands are running...

Author: /time Magazine | Title: Anglicans: A Test of Our Discipleship | 8/30/1963 | See Source »

Virgil Fox Plays the Philharmonic Hall Organ (Command). In baroque, romantic and modern music - Bach's Passacaglia and Fugue in C Minor, Franck's Grande Piece Symphonique and Messiaen's Dieu Parmi Nous-Fox puts Manhattan's first fine concert organ through its paces for a disk debut. A staggering volume and variety of sound and with it, music of a high order...

Author: /time Magazine | Title: Time Listings: Aug. 23, 1963 | 8/23/1963 | See Source »

Thus did the house organ of one Manhattan firm warn its employees to guard against outbreaks of office thievery, highlighting the petty-crime wave that has been plaguing office buildings from coast to coast. It would seem that few targets appear more attractive than a big-city tower of commerce: lots of victims, lots of loot, with floor after anonymous floor piled up like layer cake. Trouble is, a hard-working secretary too often finds her take-home pay going home in somebody else's pocket...

Author: /time Magazine | Title: The Office: The 32nd-Story Men | 8/16/1963 | See Source »

...Dunn has been living with music from the time he could stand up in his crib. To amuse him, his parents put a tall phonograph and a stack of symphony records within reach, and Baby Dunn would change the records. At the age of twelve, he was playing the organ at the regular services at the Third Lutheran Church in Baltimore; at 16, he was conducting the choir at the Episcopal Cathedral. He made his Carnegie Hall debut in 1960 as conductor of the 29-year-old choral society called the Cantata Singers, and his Philharmonic Hall debut with...

Author: /time Magazine | Title: Festivals: Time of the Baroqueniks | 8/9/1963 | See Source »

...technical work was satisfactory enough for an Experimental Theatre presentation. Fred Prahl's original organ music, which introduced the play, was rough but properly jarring. Unfortunately the actors did not always maintain the tension of his dissonances

Author: By Joseph M. Russin, | Title: Strindberg's 'Link': A Bitter Bond | 8/6/1963 | See Source »

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