Word: organizers
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Dates: during 1930-1939
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...Last week's performance seemed doomed when no one would vouch for the $1,500 check even though Mrs. Albion insisted "this is one of the loveliest performances ever given and we want you to see it." Some one suddenly remembered that there was a folding portable organ hidden away in a storeroom. Up onto the stage in answer to a call for volunteers marched Mme Marie Zalipsky...
...remainder of the program consists of "The Tragedy of Salome," by Florent Schmitt, noted modern French composer, and Metropoulos's own arrangement for orchestra of Bach's Fantasia and Fugue in G minor for organ. The former was composed near the turn of the century and was intended to accompany the ballet of the same name. It is generally regarded as Schmitt's best known orchestral work and by incorporating the lurid scenario into the music gives both brilliance and dramatic atmosphere. Unlike many modern orchestrations, it does not attempt realistic methods (as, for example, did the Rivier overture...
...Norwegian doctor who gave up a profitable practice in Oslo to go to the U. S. as a Methodist missionary. Settling in St. Peter, some 75 miles from Minneapolis, the self-appointed evangelist toured the Minnesota countryside, holding burning revival meetings. Young Olive went with him. played a portable organ when she was so small that she wore blocks strapped to the bottom of her feet in order to reach the pedals. If conversions were slow in starting, she had to work herself up to an intense emotional pitch to lead...
...make things mentally easy for even the dullest, the official organ of Communist Youth, the Komsomolskaya Pravda, carried an arresting account of doings on New Year's Eve in one of Moscow's district locals of the Young Communists. Just as Grandfather Frost began handing out presents to Red moppets, a Red youth interrupted the festivities by shouting, "Stop! Comrades, you are making a terrible ideological mistake. Trees in the Communist society are meant for such serious use as the building of homes for the proletariat. Comrades, I order you to go home! Otherwise the whole meaning...
...Lilli Lehmann." That she is not. But she is an exciting, sure-voiced singer who would make any race proud. Her Handel songs instantly revealed a breadth and nobility of style. Her Schubert Ave Maria was not something interpolated to catch popular fancy; it was fervent, even as an organ tone, deeply impressive. Even more moving was Der Tod und das Mädchen, in which she made a sustained low D seem incidental to the horror of the dying girl, the call of Death itself. Thereafter came an aria from Verdi's Don Carlos, made vivid by canny...