Word: organizers
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...occasion. To show off the 125-voice chorus (65 from the church's own choir, the rest from other Harlem groups), there were several selections from Handel's Messiah, two of them featuring Tenor Seth McCoy. To give the church's five-manual, 4,000-pipe organ a workout, Organist Leonard Raver and the orchestra galloped through the finale of Saint-Saëns' Symphony...
...painting that does not somewhere contain his icons for the female and male genitals, as isolated from sensual context as the biologist's symbols, and just as unvoluptuous. Male phalluses are always limp, and female vaginas sharp-edged and abstract, even when surrounded by flaring flames. "The sex organ has a poetic power, like a comet," Miró says. Those figures - sometimes gay, sometimes grotesque - that posture against fathomless space are what Miró's latter-day disciples have most tried to imitate. But Miró could not care less. He still feels himself as an explorer...
...Cramps will take almost any song and beat it into submission. When they're through, they gleefully move on to plunder more music from rock's "sacred" archives. "Sunglasses After Dark" gives surf music the thrashing of a lifetime, and "Mad Daddy" experiments with roller rink organ music. Even "B" movies are fair game, as "I was a Teenage Werewolf" and "Zombie Dance" testify...
...outsiders who share a taste for a strong dance beat and a sense of fun as strong as all that ganja Bob Marley goes on about. Besides roots, both Madness and Specials hold similar suspicions about mainstream rock. "Me Mum had a lot of Beatles records," admits Madness Organ Player Mike Barson. "I reckon they're pretty good, but a bit wimpy." Observes the Specials' Panter: "I think the Rolling Stones have been playing Honky Tonk Women for the past ten years. It must be quite tedious for them." To stave off occupational hazards, the Specials have formed...
...side of the album is preoccupied with prostitutes, meaning all women, from the cheerily impersonal, pun-riddles "Love For Tender," to the spare, sprightly "Opportunity," with Steve Naive's organ bouncing brightly around the upper register as Elvis sings of the War, the baby boom, no jobs, and women who earned their money by pushing their "bedroom eyes." In "New Amsterdam," Elvis's deprecatory hymn to New York, the waltz time perfectly captures the invisible chains of people "living a life that is almost like suicide...