Word: organizers
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...orchestral playing was in every way equal to the singing. In addition to the perfect horn obbligato, the other soloists were very good. The oboes, flutes, and violins all accompanied with great care. The rarely-played Aeolian-Skinner organ of Symphony Hall was used with registrations quite appropriate to its role as a continuo instrument. It was especially effective in the Cum sancto spiritu and the exultant Et expecto resurrectionem...
...ORCHESTRA ALSO played for the Handel Organ Concerto No.4.Though hardly a weighty work, the sense of ensemble between soloist and orchestra displayed the piece to great advantage. Handel's fine sense of tone color was especially evident in the oboe parts, which were beautifully played. The first movement was lively, but Johnson's tempo in the Adagio lagged painfully, lacked phrasing, and made every step of the walking bass far too staccato...
...liberty taken with the final movement of the Handel was providing a chorus to intone the chorale upon which the movement is based. Since diction was near impossible given the echo, instrumental forces, and small number of singers, the effect was that of another organ coloration--a true vox humana--being added...
...familiar with the quirks of the Frobenius to produce a more enjoyable sound. (Johnson playing on the Busch-Reisinger's Flentrop is outstanding). But the problems of the Frobenius are noticeable: not enough foundation, raucous reeds, and questionable tone-regulation. The site for the instrument was promising, but the organ itself disappointing. It will be here for a long time--the previous instrument, a Hook and Hastings, lasted over 90 years...
...EVENT, the fact remains that the Frobenius is a well-crafted instrument, quite capable of fulfilling the church's sacred and secular functions. As a baroque organ (only the swell shutters and celeste belie this), its balance is too far off in favor of the noisy mixture stops, clearly a serious fault in a room with so little resonance...