Search Details

Word: organizers (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...sits down behind the organ and launches into a jazz-styled number called Do Your Own Thing. In the course of two hours he sings only six or seven pieces: long, intricate blends of soul, blues, rock, white pop and gospel, with titles like One Big Unhappy Family, I Stand Accused or Our Day Will Come! Then, tossing a handful of Isaac Hayes medallions to the crowd, he is gone, with no encores. The rite is over...

Author: /time Magazine | Title: Music: Black Moses | 12/20/1971 | See Source »

Hayes' most notable contribution to pop so far has been to introduce the "rap" into the top 40. While the organ holds a chord, Hayes talks for as much as ten minutes-or sermonizes, as in his preamble to Never Can Say Goodbye: "We as humans have a tendency to let two things run away from us: our pride and ego." At first the raps were a way to get nightclub audiences quiet. Then they became a bridge between white men's songs (Hayes' favorites: Glen Campbell and Burt Bacharach) and black audiences. Of his 18-minute...

Author: /time Magazine | Title: Music: Black Moses | 12/20/1971 | See Source »

...stand up and take notice. And then of course there was always the classic "You Keep Me Hanging On", a hit so big that they were never able to duplicate it. The new arrangements were made long and drawn out by the liberal use of a screaming, powerful Hammond organ and a perhaps too heavy use of fuzz box and wah-wah pedal. The songs were full of three part vocal harmonies and surprising changes in rhythm. But most of all they were psychedelic...

Author: By Henry W. Mcgee iii, | Title: Long Island Blues | 12/13/1971 | See Source »

With any concert involving organ in Mem Church there are serious problems for the audience. The Fisk instrument has two entirely separate characters. In Appleton Chapel, it is a magnificently powerful baroque organ. But for the majority of listeners in the nave of the Churc, the top-heavy registrations are not backed with sufficient fundamental tones to carry through sucha a large structure. The result is exactly what happened last Wednesday: the small group in Appleton is far more satisfied with the playing than the bulk of the audience who are listening, essentially, to a scaled-down version. The performers...

Author: By Kenneth Hoffman, | Title: Baroque Music | 11/19/1971 | See Source »

...Trumpet Voluntaries belies an unflattering reputation as a feeble Purcell. Only in this set of pieces did Tarr display the kind of virtuoso talent for which he is generally known. The sense of ensemble--excellent throughout the evening--was pertect here in the brilliant parallel thirds where the organ registration sounded like a second trumpet. Equally successful was the encore, a Telemann Air de Trompette, performed with a tremendous sense of style galant grace. An entire Telemann suite would have been vastly preferable to fragments of early baroque sonatas...

Author: By Kenneth Hoffman, | Title: Baroque Music | 11/19/1971 | See Source »

Previous | 316 | 317 | 318 | 319 | 320 | 321 | 322 | 323 | 324 | 325 | 326 | 327 | 328 | 329 | 330 | 331 | 332 | 333 | 334 | 335 | 336 | Next