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...show is far more dramatic in production than any of its competitors. Producer Robert Costello splices in occasional exteriors filmed on location, employs more than 100 sets in the show's Manhattan studio, com pared with the 30 or so on most soap-ers. Instead of the customary organ stings to punctuate the drama, he uses bridges recorded by an orchestra of 23 pieces...

Author: /time Magazine | Title: Programming: Ship of Ghouls | 8/30/1968 | See Source »

Plants spring up from pictures. Shells resound with strange and vibrant organ music. Paper sea gulls take flight across a cloudless sky. When the young voyagers peer through holes in the map they spy black and white children from other lands and entice them to walk and bicycle across the water to the seventh continent...

Author: /time Magazine | Title: Cinema: The Seventh Continent | 8/23/1968 | See Source »

...there is any prospect of a transplant, those physicians must not be members of the transplant team. On the need for this division of authority, Sir Leonard Mallen said: "Doctors must never be in a position where it could be said that a donor was murdered to obtain an organ for a transplant...

Author: /time Magazine | Title: Thanatology: Determination of Death | 8/16/1968 | See Source »

...best makes a tight inventive sound heavily steeped in today's slick-blues sound. Their influences are diverse: two members of the band swear by soul music, two others have strong feelings about the Doors--John Leone, the strapping singer detests them, while Bob Gass, a soaring organ player loves them. But all of them share a common commitment to being dedicated to their music and have been approached by Vanguard about a recording contract...

Author: NO WRITER ATTRIBUTED | Title: Bead Game | 8/16/1968 | See Source »

...Pink sound has rock drums and a bouncy organ, but there's a lot of lyrical piano, and the voice is all folk, sometimes gospel sing-along...

Author: By Jeffrey R. Wohlgethan, | Title: Big Pink | 8/16/1968 | See Source »

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