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...injecting a little fun and flair into their ready-to-wear lines, too. Hong Kong-based designer Ranee Kok Chui Wah added feathers and a long, sassy gold sash to her cheongsams; Malaysia's Beatrice Looi applied the country's batik dyeing method to her beaded and sequined silk organza formal wear; and Korean label Kan Ki Ok Urban Look painted the fiery phoenix, once deemed appropriate only for Korean royalty, on the princess-seamed back of a denim dress. According to Urban Look's director of design, Kwan Jung Ran, the idea is to show that beauty hides...

Author: /time Magazine | Title: "You Can't Wear That!" | 2/16/2004 | See Source »

...flair into their ready-to-wear lines, too. Hong Kong-based designer Ranee Kok Chui Wah added feathers and a long, sassy gold sash to her cheongsams, or traditional Chinese dresses; Malaysia's Beatrice Looi applied the country's batik dyeing method to her beaded and sequined silk organza formal wear; and Korean label Kang Ki Ok Urban Look painted the fiery phoenix, once deemed appropriate only for royalty, on the princess-seamed back of a denim dress. Urban Look design director Kwan Jung Ran says the idea is to show that beauty hides in the least obvious places. "Denim...

Author: /time Magazine | Title: Asia's Look for 2004 | 2/15/2004 | See Source »

...idea of a relaxing way to make a payment was to drive to Nevada and shoot craps all night." The remembered details of family life yield vivid metaphors for her theme, none better than this: in a Sacramento house the Didions moved into in 1951, the gold silk organza curtains on the stairs hadn't been changed since 1907. They "hung almost two stories, billowed iridescent with every breath of air, and, if touched, crumbled." --By Christopher Porterfield

Author: /time Magazine | Title: Books: Dire State | 10/27/2003 | See Source »

When the couturier Christian Dior died suddenly of a heart attack at 57, a jittery, bespectacled Algerian-born 21-year-old had to put the Dior show together. He came up with the trapeze, a dress that by dint of its intricate silk, tulle and horsehair-hemmed organza underskirts seemed to float away from the body as if by magnetic force. It was a sensation. The fashion press, not given to understatement even in 1958, proclaimed, "Yves Saint Laurent has saved France." A new design legend had arrived...

Author: /time Magazine | Title: Beyond Grace | 1/21/2002 | See Source »

...five floors up from its original site. Currently showing is "Formula," an exhibition of New York-based artists rounded up by one of Oni's original founders, Cheyney Thompson, who migrated there recently. Thompson's "1839," a series of acrylic paintings of woodbeam-and-brick cross-sections on transparent organza, exposes infrastructural delicacy. Also with Nathan Carter, Daniel Lefcourt, Tim Seiber and Bettina Sellman, whose installation, "the absence of dreaming," encases mute forms in satin...

Author: By Annie Bourneuf, Kirstin Butler, and Jenny Tu, S | Title: The Field Guide: Art in Boston | 12/10/1999 | See Source »

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