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...White and director Taylor Hackford, Ray traces Charles' career briskly (given the 2-hr. 32-min. running time) and with a persuasive authenticity. Ray hones his chops on the chitlin circuit, signs with Atlantic Records and starts fusing gospel with blues. The epochal What'd I Say--a group orgasm in 12-bar form--could have wed him to rock 'n' roll. But Charles was as voracious for all kinds of music as he was for women. That is, very...

Author: /time Magazine | Title: A Ray of Light on a Blue Genius | 10/18/2004 | See Source »

...Activism is the foreplay,” he says slowly. “Moviemaking is the orgasm...

Author: By Michael M. Grynbaum, CRIMSON STAFF WRITER | Title: Who Hearts David O. Russell? | 10/1/2004 | See Source »

...drummer Cozy Cole enjoyed a two-sided hit with ?Topsy.? What was unusual was the four-part structure: three verses of piano, then four verses of blues patter, then the ?What?d I say? chorus, and finally two minutes of boy-call-and-girl-response foreplay leading to the orgasm of the ?What?d I say? chorus augmented by horns and the Raelets. After five minutes, what?d you say? Whew...

Author: /time Magazine | Title: The Genie | 6/10/2004 | See Source »

Brown seemingly spares us nothing, from his difficulty achieving an orgasm to the careless way Allisyn distances herself from his affections. He works in a scratchy, unpolished drawing style that looks like something put down in haste right after the event. The rawness and immediacy may be illusory - even the most crudely crafted comix page takes time to organize and draw - but they make the actions seem more real. Call it comix verite. Similar to the work of such documentary filmmakers as Frederick Wiseman and the Maysles brothers, Brown eschews any sort of narration or insight into what the characters...

Author: /time Magazine | Title: Small Comix in the Big Leagues | 5/14/2004 | See Source »

...decadent swagger and lovesick croon before sheer inertia flings it out of its orbit into a furious sing-along German coda—“Ich heisse Superfantastisch! Ich trinke Schampus und Lachfisch!”—which the band has compared to the moment of orgasm. In case you’re wondering about the German, guitarist/keyboardist Nick McCarthy spent his childhood in Munich...

Author: By Nathaniel A. Smith, CRIMSON STAFF WRITER | Title: CD Review | 3/12/2004 | See Source »

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