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...this is no feminist treatise. It's a bigOliver Stone blockbuster hellbent on reducing itsaudience to tears. The soundtrack soars (well, theJanus theater had a few problems with it, but itwould have soared...) as characters cry, hug orglow with confidence. My only qualm with "The JoyLuck Club" was a moment of silence near the end.The entire audience could be heard snifflingduring this brief break, and I couldn't help butthink that Wang and Stone had engineered it justso that we could all report to our friends,"Everybody cried...you must...

Author: By Katherine C. Raff, | Title: Mother Knows Best | 10/14/1993 | See Source »

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