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Munakata does not always maintain the virtuoso standards of this religious series. Lapses occur when he adds colored ink to the black and white woodcut. Munakata, it seems, is not in any way as gifted a colorist as he is a draftsman. His heavy, almost garish, coloring emphasizes how far...

Author: By Clay Modelling, | Title: Shiko Munakata | 3/27/1959 | See Source »

The Paul Schuster Art Gallery is displaying now a good cross section of the woodcuts of Shiko Munakata, preeminent among modern Japanese printmakers. From this show, it is plain that Munakata has much in common with Western graphic artists, especially the Expressionists Nolde and Heckel. At the same time, Munakata...

Author: By Clay Modelling, | Title: Shiko Munakata | 3/27/1959 | See Source »

Munakata's themes derive from conventional Japanese subjects-religious figures, folk tales and landscapes. Certainly the most impressive are the big prints of four of the Buddha's disciples. Here, Munakata's simple and strident forms recall Indian and Japanese Buddhist paintings, while suggesting the forcefulness of the best of...

Author: By Clay Modelling, | Title: Shiko Munakata | 3/27/1959 | See Source »

Not far from the Wolfe papers, along another aisle, five massive editions of the Tibetan scipture, the Tripitaka, lie wrapped with yellow burlap covers. This great work is a sort of Tibetan wonder book, combining holy writ with popular ideas on political and natural science. On the outside of each...

Author: By Peter E. Quint, | Title: Houghton Collection Provides Treasure Trove for Scholars | 2/12/1959 | See Source »

A collection of delightful minor characters slip in and out of the story as they are neded. There is an ambitious youngster, "Nosey," who "wants to be an artist," and a bitter but affectionate Irish barmaid. To this latter Jimson tries to explain his art: "Look at that figure, Cokey...

Author: By Peter E. Quint, | Title: The Horse's Mouth | 2/5/1959 | See Source »

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