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Oriental Art Lecture: Alexander Soper. 8:30 p.m., Lecture Hall

Author: NO WRITER ATTRIBUTED | Title: The Week's Events | 7/24/1958 | See Source »

¶ Blamed "politics" for his troubles with committee, public and press. "Frankly. I like to meet important people. Is that so bad? In the country where I was born, it took two or three generations for a 'poor man' to get to know important people . . . Nor did I...

Author: /time Magazine | Title: INVESTIGATIONS: Bernard Goldfine's Two Faces | 7/14/1958 | See Source »

One of the most prolific composers in the recent history of opera was British-born (of French descent) Piano Virtuoso Eugène d'Albert. In a career otherwise occupied with six marriages, teaching and lucrative concert tours, he managed to compose 20 musical melodramas, ending with a preposterous...

Author: /time Magazine | Title: Music: New Records, Jun. 30, 1958 | 6/30/1958 | See Source »

Out of these squalid though sometimes cruelly moving episodes, Yozo emerges with a stoic creed-"Everything passes." Almost alone among recent Japanese literary imports, No Longer Human is strikingly free of cherry-blossom reveries and puzzling Oriental character motivations. If the author's identity were unknown, this novel might...

Author: /time Magazine | Title: Books: Japanese Nihilist | 6/30/1958 | See Source »

The Rhythm Section. To feel Gulbenkian's anger, an acquaintance once said, was "to know the electric chair without death." The danger signal was an open-palmed slap, slap, slap on the bald dome, often followed by the saliva-flecked roar, "You are a broken reed I" If Gulbenkian...

Author: /time Magazine | Title: Books: Solid Gold Scrooge | 6/23/1958 | See Source »

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