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AT A TIME WHEN East Asian Studies, sushi bars, and visas to China are becoming increasingly trendy items, there reappears on the literary horizon an important and previously "lost" work whose intellectual voyage takes one back to the origins of the West's Oriental fascination. Raymond Schwab's book is...

Author: By Hein Kim, | Title: A Passage to Renaissance | 4/5/1985 | See Source »

In some senses, The Oriental Renaissance betrays its own antiquity. Schwab's sprawling intertextual odyssey aims at an epic global vision reconciling East and West. He confesses, quoting Walt Whitman's "A Passage to India": "And I myself did not anticipate... that I would discover Whitman's line 'Thou roundness...

Author: By Hein Kim, | Title: A Passage to Renaissance | 4/5/1985 | See Source »

STILL, THE ORIENTAL RENAISSANCE is disappointing in that, while looking East, it fails in some senses to look fare enough East Schwab limits his horizons primarily to India, glancing to the Far East only brietly in his mention of the Abbe Remusat's pioneering of Chinese studies at the College...

Author: By Hein Kim, | Title: A Passage to Renaissance | 4/5/1985 | See Source »

Schwab argues that the Oriental, or Indic, Renaissance was a second Renaissance fueling 19th century Romanticism that "marked the close of the classical age, just as the classical Renaissance had marked the close of the medieval age." He compares the significance of the arrival of Hindu manuscripts in 19th century...

Author: By Hein Kim, | Title: A Passage to Renaissance | 4/5/1985 | See Source »

India is privileged as the Orient to pose "the great question of the Different." For Schwab, India, and not Eqypt, was the first and essential Oriental influence to inspire the mental displacement. Schwab calls "totally erroneous" the popular assumption that the deciphering of hieroglyphics represented the critical breakthrough, attributing the...

Author: By Hein Kim, | Title: A Passage to Renaissance | 4/5/1985 | See Source »

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