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...marked independent streak. After leaving school at 16, he at first rejected anything to do with fossils and archaeology for fear of being trapped in his parents' shadow. But by the time Leakey was in his late 20s, his team was making important finds. He wrote books on the origin of mankind and headed the National Museums of Kenya before turning to wildlife conservation...
...holding two closely written sheets. On them is his denunciation of the Nazi persecution of European Jews, to be published by evening. But word has just arrived that after Holland's bishops issued a similar statement from the pulpit, the Germans deported 40,000 Catholics of Jewish origin. If the Dutch protest cost 40,000 lives, Pius says, "my own could cost the lives of perhaps 200,000 Jews. I cannot take such a great responsibility. It is better to remain silent before the public and do in private all that is possible." He has the pages destroyed...
...piece for the New York Times, defending the race-conscious admission policies that are at the core of the Michigan cases. Ford warned that if the courts forbid Michigan to use race, along with other factors that the school employs to select its student body--including economic standing, geographic origin, athletic and artistic achievement--they would turn back the clock to an era when minorities "were isolated and penalized for the color of their skin...or national ancestry." He recounted a revolting incident in 1934 when his black teammate, Willis Ward, voluntarily benched himself because the visiting Georgia Tech football...
...design tests to pick up cancer in its earliest stages. The finding could also lead to drugs tailored to attack specific types of cancer, thereby lessening our dependence on tissue-destroying chemotherapy and radiation. Beyond that, the Whitehead research suggests that this stubbornly complex disease may have a simple origin, and the identification of that origin may turn out to be the most important step...
...Tarzan yell might seem the most superficial accessory, but the filmmakers see it as a key to the drama. They never let us forget that the lad is isolated, unaware of his origin and his destiny--and aware that he is unaware. He places his palm against Kala's paw (hands are a major motif in the film) and knows that his mother is different; or, rather, she is the norm, and he the outsider. Africa is his metaphor: the lost continent is his identity. Always he asks, Who or what am I? Where do I belong...