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...theorized to be the source of all heavy elements in the universe. When the stellar explosion takes place, it fuses all of the star's abudant light elements, like hydrogen and helium, into heavy elements, like iron. "There is a real sense that supernova elements are actually the physical origin of [the heavy] chemicals in our body," Kirshner says. The elements these supernovae create are in everything, he says, including "life, earth, iron and gold...
West German officials also ruled out the possibility that the bomb had been slipped into one of four uninspected U.S. military mail pouches loaded onto Flight 103 at its point of origin at the Frankfurt airport. It turned out that the mail was intended for American military personnel stationed in Britain and was unloaded at Heathrow Airport before the Pan Am plane's ill-fated takeoff for New York. But according to some West German reports, British investigators now suspect the bomb was planted by a worker at London's Heathrow Airport. British officials called the claim "pure speculation...
Another technological approach would not prevent bombings, but it could help identify those who commit them. Explosives can be chemically "tagged" so that telltale traces can be used to determine their origin after a blast. If producer nations could agree on a tagging system for military explosives, it would increase the chance that future terrorists might be tracked down and brought to justice...
...surprise of the show is Courbet's Origin of the World, 1866, by far the most transgressive image in 19th century painting. Long presumed lost, it turned up appropriately enough in the collection of the French psychoanalyst Jacques Lacan. It is a frontal view of a woman's pubes, painted with vast enthusiasm: the symbolic climax, one might say, of the series of dark caverns Courbet painted in his native countryside, The Source of the Loue, 1864. The objectivity of Courbet's work connotes a deep and sensuous love of whatever he painted. Sometimes his portraits of dead birds...
This week's unorthodox choice of Endangered Earth as Planet of the Year, in lieu of the usual Man or Woman of the Year, had its origin in the scorching summer of 1988, when environmental disasters -- droughts, floods, forest fires, polluted beaches -- dominated the news. By August TIME knew it was no longer enough just to describe familiar problems one more time. "The new journalistic challenge," says managing editor Henry Muller, "was to help / find solutions, and that by definition meant international solutions." So we invited a distinguished group of scientists, administrators and political leaders from five continents...