Word: orinability
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Ashland Oil Inc. Chairman Orin E. Atkins recently hung on his office wall a color portrait of Cartoonist Al Capp's renowned detective, Fearless Fosdick, Swiss-cheesed by bullet holes. Says Fosdick: "Fortunately, these are merely flesh wounds...
...covert dealing between U.S. corporations and elected officials is so obvious that it has been illegal for federal candidates to accept corporate funds, or for executives to offer them, since the trust-busting days of 1907. Yet the laws forbidding such practices, observes Ashland Oil Inc. Board Chairman Orin E. Atkins, are primarily "honored in the breach." Atkins has reason to know. He heads one of seven major U.S. corporations* that have admitted dipping unlawfully into the company till for contributions to Richard Nixon's 1972 re-election campaign. Last week executives from six of the firms testified before...
Blazer, along with President Orin Atkins, 43, and other Ashland executives, follows what is more or less jocularly called the "Ashland Workweek." It be gins around 8 a.m., lasts ordinarily until midnight, runs seven days a week with only occasional breaks and brief vacations. "I don't think we're any smarter than the competition," explains Blazer, "but I think we outwork them." As a result, in the past five years Ashland has almost tripled sales to $805 million. This week Ashland will regroup 13 small chemical companies acquired since 1963 into a subsidiary with $300 million...
...Beethoven's Piano Concerto No. 4. Unfortunately, Orin Grossman's performance, light and brilliant though it was, lacked the warmth the work must have to be effective. The first movement suffered most: the opening solo was not instantly captivating; the orchestra plodded along sounding labored, even leaden. The second movement contained some beautiful moments. In the finale the orchestra caught fire, and Grossman's brilliance served him well. The movement was marred only by the orchestra's repeated failure to play the main theme truly pianissimo...
...face of everything, the women can tune up that one eternally winning instrument: charm. When things get tight, as Orin O'Brien explains, "you just smile and give in." No man can cope with that, and what really counts in the end is that the girls can play exceedingly well. "Let the best man in," declares Leinsdorf, echoing the sentiments of most of the profession. "And if the best man is a woman...