Word: orlandos
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Dates: during 1990-1999
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Philadelphia 95, Orlando...
Boston at Orlando...
...second, both Backstreet Boys and 'N Sync are the brainchildren of the same man: Louis J. Pearlman, a florid 44-year-old entrepreneur based in Orlando, Fla., whose countenance suggests Ken Starr crossed with the late Chris Farley. Pearlman's ambition for his Trans Continental Entertainment and related companies is nothing less than to create a new Motown. O-Town, for Orlando, is the name he has given his sprawling $6 million recording studio that doubles as a boot camp for would-be stars. Here the crushes of tomorrow are groomed by teams of choreographers, vocal coaches, personal trainers, marketers...
...present, there are 24 young musicians signed to the studio, most found through ads in the trades or auditions; many are from the Orlando area, where performers now flock because of the increasing film and television production at Disney and Universal, as well as all the singing and dancing jobs at theme-park shows. The O-Town kids are paid $500 to $1,000 a week until their groups take off and they start making real money. Or not. A reporter jokes that if things don't work out, the boys can always go to work for the Chippendales chain...
...would then pass the ideas on to Perugino, one of her court artists, with instructions not to invent anything of his own. Something of this kind may have happened at Alfonso's court, whose star poet was none other than Ludovico Ariosto, author of the enormously successful epic Orlando Furioso. Dosso did some paintings that were illustrations of episodes from Ariosto, and is known to have designed sets--long since vanished--for Ariosto's plays...