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Word: orley (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Hemingway. It was called "My Old Man," and they decided to make a picture out of it. Sure, sure, they got some good actors for it. They get Micheline Prelle, of the Rive Gauche. And Johnnie Garfield. He's a good actor, Danny. He's a great actor. And Orley Lindgren. They say he's good, too, but if I had my way I'd ram that little brat's teeth down his gullet. I never saw anything as stupid as a lousy kid actor trying to talk Hemingway...

Author: By Stephen O. Saxe, | Title: THE MOVIEGOER | 5/6/1950 | See Source »

...Because of Orley Lindgren, kid. Mostly, that is. The punk is so lousy he crawls all over the picture like a bedbug. It's enough to turn your stomach. I've seen some repulsive kids in my time, but that kid cops first place in my book...

Author: By Stephen O. Saxe, | Title: THE MOVIEGOER | 5/6/1950 | See Source »

John Garfield is the skillful jockey whose well-earned reputation for riding a crooked mile keeps him off U.S. racetracks. To his young motherless son (Orley Lindgren), who tags along from one continental track to another, the jockey is a hero. After double-crossing Italian Gambler Luther Adler by winning a race he was supposed to throw, Garfield flees to Paris, takes up with a chanteuse (Micheline Prelle) and buys his own horse to ride. He looks like a cinch to win the Big Race until vengeful Gambler Adler demands that he lose it or pay off with his life...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 3, 1950 | 4/3/1950 | See Source »

Enough of the book has stuck to the picture to point up the lost opportunities. The film begins promisingly with the trumpeter as an unloved, unhappy kid (well played by Orley Lindgren) who first discovers music in a mission house piano and musicians in a nightclub's Negro band, then starts to pour his soul into a pawnshop horn. Grown up into a hot trumpet man under the tutelage of the Negro bandleader (Juano Hernandez), he knocks around gin mills and boardinghouses in the sleazy insecurity which hounds all small-time musicians devoted to an unpopular cult. But just...

Author: /time Magazine | Title: The New Pictures, Feb. 27, 1950 | 2/27/1950 | See Source »

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