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The terms of appropriation have changed and become more varied and complex with globalization, according to Visual and Environmental Studies (VES) Professor Giuliana Bruno, who teaches VES 285x, “Visual Fabrics: Film, Fashion and Material Culture.” One type of appropriation is a sustained dialogue?...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Jacqueline M. Boltik ’11, who sits on the board of the Harvard Vestis Council—a student organization devoted to exhibiting Harvard student designs—would agree. Although Vestis itself has no specific ties to minority communities, Boltik can understand the aesthetic sense behind these...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

While Eleganza seeks to democratize fashion, Project East tries to maintain and celebrate its elusive haute couture nature. The designers are either high-end stars like Derek Lam and Vera Wang or students at the prestigious art colleges Parsons, The New School for Design, or Rhode Island School of Design...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Project East turns its sights on another industry stereotype: that Asian designers only make Asian clothing. “This is clearly generalizing and stereotyping, but I feel like when people think of an Asian designer, they assume dragons and kimonos,” says Kristin S. Kim ?...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

By now, Eleganza can lean more on its establishment; it regularly attracts over 1,500 students each year, books stars like Jadakiss and Fabolous, and garners national attention—as the April 2010 issue of Teen Vogue demonstrates. Olamide E. Oladipo, an associate producer for Eleganza who oversees finances...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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