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Tocqueville once wrote, in reference to the danger of America’s non-authoritarian, self-governing society, “Once an idea has taken hold of the American people’s minds, whether it’s a just one or an unreasonable one, nothing is more...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Damrosch’s Rediscovery of Toqueville’s Vision of America | 4/13/2010 | See Source »

Regardless, Damrosch’s work lends insight into the mind of the man who defined America for the world. In “Tocqueville’s Discovery of America,” Damrosch explains the diverse experiences that allowed Tocqueville to both construct and critique America?...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Damrosch’s Rediscovery of Toqueville’s Vision of America | 4/13/2010 | See Source »

“You can’t live your life believing every ten-penny self-proclaimed teacher, critic, agent, etc.,” writes David Mamet in “True and False,” his 1997 treatise on acting, “Your first and most important...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

His actual critique of Stanislavsky, however, is mostly based on an uncharitable, oversimplified reading of the director’s prolific work: “Stanislavsky’s famed (if essentially hypothetical) system, then, was and is the dissection of the motives and emotions of the character. One hundred...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

Brevity is another key factor to Mamet’s writing—chapters are rarely longer than four or five pages, and paragraphs are often only a sentence or two. The trouble is that this concise style renders his arguments insufficient. To dismiss Stanislavski’s entire body...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

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