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...temple exterior is a concrete hemisphere carried on eight squat arches. Within the arches is a platform supported on columns. This raised platform, standing free of the walls, is the temple floor. The whitewashed, hemispherical interior is bare of ornament, yet in a sense is adorned by light, which ripples up from below on all sides. There are no windows...

Author: /time Magazine | Title: Art: Jerusalem's New Temple | 8/26/1957 | See Source »

England's Piano Sonata, like the Crawford piece, was in two movements, a scheme more composers might well experiment with. England unified each movement through consistent application of one device: the first movement, rather rhapsodic in character, exploited the ornament known as the inverted double mordent; the second, clearly structured, utilized a repeated-note pattern...

Author: By Caldwell Titcomb, | Title: Piston Seminar Concert | 5/7/1957 | See Source »

With this in mind, the committeemen shed coats and went to work, blocking out a Senate version that contained the soil-bank program President Eisenhower had asked for (but no advance payments). Plagued by conditioned political reflexes, some members could not resist adding filigree. The outstanding ornament: a proviso that growers of feed grain (oats, barley, etc.) who do not comply with 1957 acreage allotments receive special supports based on those the President has recommended for commercial corngrowers who exceed allotments...

Author: /time Magazine | Title: THE CONGRESS: Mail from Home | 5/21/1956 | See Source »

...light and shadow across the broad, 330-ft. façade, he worked out a structural grill that takes its rhythm from the window spacing of surrounding Georgian structures. For his major material Saarinen chose white Portland stone, traditional both in London's official buildings and as ornament on private brick dwellings. To sharpen the black and white contrast, he used black oxidized bronze for a decorative frieze of state seals between the first and second floors and for a great seal of the U.S. above the main entrance. The final result is a U-shaped building that will...

Author: /time Magazine | Title: Art: A Home in Eisenhowerplatz | 3/19/1956 | See Source »

...molding just a thin surface of geometric shapes Nivola is able to keep the sculpture light and at the same time project it easily into large dimensions. "My dream," he says "is to make sculpture as big as buildings." Because he does not favor mere ornament or decoration, the relation between his sculpture and architecture is very close. Nivola aims at making his sculpture a functional element of architecture itself; perhaps solving architectural problems, but at any rate growing together with the building. Thus sculpture like the free standing bas-relief of sand "The Hermits" (pictured) can stand alone, serve...

Author: By Lowell J. Rubin, | Title: Constantine Nivola | 3/8/1956 | See Source »

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