Word: orozco
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...pedagogical platform. The bulk of the collection dates from before 1900. There are quaint, good things, such as Sir Edward Burne-Jones's eight pre-Raphaelite panels of the Perseus legend. There are great artists with bad works: a Degas copy of a Poussin, and a grotesquely tortured Orozco Slave...
...color and texture from the land, when, he worked as a surveyor's helper; in any case, he learned drawing from anatomy up. He borrowed Benton's feel for the swirly sensuousness of oils, turned to the writhing images of the Mexican artist José Clemente Orozco, loved the sinuous drapery of baroque art. But his greatest influence came from childhood days in the Southwest: sand painting by the Navahos, who sifted colored earths through their fingers to form flat talismans on the ground...
Copies of Copies of Copies. If the group has a Mexican ancestor, it is José Clemente Orozco, but its father is José Luis Cuevas, 29, who has been taking shots at the Mexican art establishment for years. In 1954 he accused the Bellas Artes of selecting for its annual shows nothing but "copies of copies of copies of the so-called Mexican school." In 1956, while on a visit to Venezuela, he was asked why he so cruelly kept attacking the aging (and currently jailed) Communist firebrand David Siqueiros, and he bluntly replied: "For the same reason that...
Though predominantly contemporary and abstract, the exhibition ranged the centuries. Yugoslavia sent reproductions of 22 of the country's 6,000 medieval Byzantine frescoes. There was a room of powerful Orozco oils from Mexico, a retrospective of Jacques Villon from France. The Soviet Union sent its customary assortment of Lenin portraits and statues of muscled workers. Cuba followed suit with some bearded Fidelistas and a ten-foot woodcut showing Uncle Sam, abetted by imperialist lackeys from the Associated Press and the United Press, stamping on the "bleeding Cuban people." Manhattan's Museum of Modern Art picked...
When the last tile in the mosaic was complete, Aub unveiled his masterpiece at the elegant Excelsior Gallery in Mexico City in 1958. Most of the Campalans paintings in the accompanying exhibition were snapped up. Said Famed Muralist David Siqueiros, thoroughly duped: "I knew Campalans well in Paris. Orozco liked him very much." A few weeks later Aub confessed his hoax. Mexicans fumed, then laughed embarrassedly...