Word: orozco
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...world's largest mural" (4,500 sq. ft.) for the new Warsaw sports stadium, de lights in ridiculing contemporary Mexican art ists, including fellow Party Member Rivera. With the passage of time it seems that the least political and most impassioned of the three, Jose Clemente Orozco, who died in 1949, now stands the best chance of surviving the changing fortunes of time and fashion...
...both Siqueiros and Rivera in recent years have become "paintbrush and spray-gun pamphleteers." With only Indian-born Rufino Tamayo, 55, whose warm, semi-abstract paintings make him a big prizewinner outside Mexico, now strong enough to challenge the hold of the Big Three, Dr. Carillo still keeps Orozco at the top of his list as "the finest of all Mexican contemporary artists, the best in our hemisphere-surely one of our century's greatest draftsmen." Two paintings from Dr. Carillo's collection (opposite), now part of an exhibition touring Japan, show that though Orozco's fame...
...Orozco the great figures of what he called "The American Idea" were the enslaved Indian and peon, the conquerors like Cortez, the revolutionists Zapata and Padre Miguel Hidalgo. But Orozco alone of Mexico's Big Three took a hard second look at the world about him and had the courage to draw what he saw: the Marxist "liberator" in turn enslaving the revolutionaries, the Franciscan friar as the symbol of brotherly compassion. These views, plus his hatred of war and distrust of political panaceas, often brought his art into open conflict with the rhetoric of Rivera and the angry...
...Carnation' or the k out of 'Milk.' ") On the proceeds of the sale of five local-color paintings he went off to Mexico, fell in love with the work of Orozco, Rivera and Tamayo ("There was no talk of what could sell...
...Indian named Oswaldo Guayasamin (pronounced guy-yah-sah-meait, and meaning, in Inca. "white bird flying"), it was as powerful as any painting to come out of South America in modern times. Guayasamin, 35, once studied with Mexico's late master of mordantly bitter painting, José Clemente Orozco. He has a similar social consciousness, amounting to aching rage at man's inhumanities, and a similar range of techniques, from abstraction to hammer-blunt realism...