Word: orpheus
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Dates: during 2000-2009
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...Sunday in a concert featuring the music of Strauss, Mendelssohn, and Brahms. Goto will solo in Brahms’ Violin Concerto. Touted by conductor Lorin Maazel as one of the finest young performers today, Goto has toured internationally over the past several years, playing with the London Symphony, the Orpheus Chamber Orchestra, the Shanghai Philharmonic, and the National Symphony in Washington, D.C. This semester, Goto has performed in Kansas, San Francisco, and Mexico City...
This attitude perhaps provides us with a clearer image of what Rilke is doing intellectually; however this often obscures the emotional force of Rilke’s poems. In the third poem of Rilke’s sonnet sequence, “Sonnets to Orpheus,” he addresses a youth, a “Jüngling,” who presumably has been writing bad love poems. Here is Snow’s translation: “It’s [i]not[/i], youth, when you’re in love, even / if then your voice...
This attitude perhaps provides us with a clearer image of what Rilke is doing intellectually; however this often obscures the emotional force of Rilke’s poems. In the third poem of Rilke’s sonnet sequence, “Sonnets to Orpheus,” he addresses a youth, a “Jüngling,” who presumably has been writing bad love poems. Here is Snow’s translation: “It’s [i]not[/i], youth, when you’re in love, even / if then your voice...
...journey even before the play begins. You enter by way of a descent, a wide concrete ramp that slopes down to a glass-walled lobby, one story below ground, made of stark concrete and gray metal, where light swords hang like stalactites from the ceiling. From the time of Orpheus and before, a subterranean journey has had psychological reverberations. This one bears just a hint of a descent into a stony underworld, a primordial cavern that could be the ancient womb of theater - even if you're there just to see Mamma...
...many people in the Bad Seeds. I kept trying to make songs that were leaner, had less going on in them. But it was difficult, there was a whole bunch of people in the studio and everyone had some idea of what they wanted to do. The Lyre of Orpheus record was this massive juggernaut of sound because we had eight people playing each song. I wanted something rawer and leaner so I got a few members of the band together and we did this record, Grinderman, which loosened the whole thing up. And now we're making another Grinderman...