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Word: orpheus (lookup in dictionary) (lookup stats)
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HARVARD SQUARE, THURS. Black Orpheus 3, 6:15, 9:35; Beauty and the Beast, 1:30, 4:45, 8:05; FRI. The Seventh Seal, 3:30, 6:30, 9:30; Room Service, 2:15, 5:15, 8:15; SAT. Wild Strawberries, 2:35, 6, 9:25; Rules of the Game, 4:10, 7:35; SUN. Virgin Spring, 3:20, 6:45, 10:10; Grand Illusion, 1:30, 4:55, 8; MON. Blue Angel, 3:40, 6:40, 9:40; Le Jour Se Leve, 2:15, 5:15, 8:15; TUE. Ivan the Terrible...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 4/12/1973 | See Source »

...Bach Society Orchestra has played some ambitious programs this year. Saturday's may well be their most difficult. The Faure Pelleas et Melisande suite is not easy; nor is Stravinsky's Orpheus. Having picked a vacation weekend to perform, the Bach Soc may well have dug its own hole. Still, Saturday night will be a good chance to hear non-warhorse material in a distinctly relaxed atmosphere...

Author: NO WRITER ATTRIBUTED | Title: Classics | 3/29/1973 | See Source »

PAYDAY chronicles 36 hours in the life of a minor country-and-western singer called Maury Dann, a sort of Orpheus pretending who boozes, wenches pops pills and passes along the old payola. As played and sung by Rip Torn -eyes bulging, teeth bared until they look like a couple of upended harmonicas-he seems less gifted in music than m hog calling. Like A Face in the Crowd, Payday tries hard to be about the spiritual bankruptcy of American life, but Director Daryl Duke emulates only the hysteria, not the theatrical fervor, of the 1957 Kazan film. The wretched...

Author: /time Magazine | Title: Cinema: Quick Cuts | 3/12/1973 | See Source »

HARVARD SQUARE CINEMA. Thurs. 400 Blows, 2:30, 6, 9:25, Black Orpheus 4:10, 7:40, Friday Seventh Seal 3:30, 6:35, 9:40, Lavender Hill Mob, 2:15, 5:15, 8:15, Saturday Wild Strawherrles 2:35, 6, 9:25, Rules of the Game...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 11/9/1972 | See Source »

...announce a birth that had actually happened long before. Yet the myth of Jagger's perversity is such that his music was believed to have turned the Hell's Angels into degenerate thugs-which, of course, they already were. There are some brutes whom not even Orpheus can charm, much less Marsyas. An essential aspect of the Orphic myth is that the sweet singer could attract the maenads to pursue him, but could not stop them from tearing him to gobbets; art, a magic key to the irrational, cannot always control the emotions it unlocks. Hence the idiocy...

Author: /time Magazine | Title: Time Essay: The Stones and the Triumph of Marsyas | 7/17/1972 | See Source »

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