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Today how good does he look? A large retrospective jointly organized by London's Tate Gallery, Paris' Musee d'Orsay and the National Gallery of Art in Washington (where it is on view through Aug. 20) offers the evidence. Whistler was an artist whose legend as wit, dandy and aesthetic kamikaze--for what was his libel suit against the critic John Ruskin but a suicide mission, compelled by his own claims to "Southern honor"?--continued after his death and became a barrier to appraisal of his work. One would prefer to think that Whistler the artist flies free of Whistler...

Author: /time Magazine | Title: ART: WHISTLER UNVEILED | 7/24/1995 | See Source »

Created by the Met's Gary Tinterow and the French art historian Henri Loyrette, chief curator of the Musee d'Orsay in Paris, it has drawn in an astonishing number of major works -- nearly 30 Manets; more than that number of Monets; and work by a whole gamut of artists from Renoir to Cezanne and Whistler, from Frederic Bazille to academicians like Jean-Leon Gerome and even William Bouguereau. It focuses on the early years of the movement, the 1860s, before "New Painting" became controversial with the first Impressionist exhibition of 1874. It asks, What formed Manet, Monet, Degas, Renoir...

Author: /time Magazine | Title: ART: New Dawn | 11/14/1994 | See Source »

...Elizabeth Orsay was hard at work in the trauma center of Chicago's Lutheran General Hospital when she was called away from a patient to answer the phone. To her anger and dismay, the caller was a telemarketing pitchman who was touting a special buy on film. "He managed to get through by deceiving the secretary," the still steaming physician recalls. "I told him that what he had done was totally unethical...

Author: /time Magazine | Title: Sorry, Right Number | 9/13/1993 | See Source »

...them, at least. Whatever one thinks of their impending travels over the next 15 months -- to the Musee d'Orsay in Paris, to Tokyo, to the Philadelphia Museum of Art -- let opportunism prevail. With all the hoopla and reproduction, this will be the last chance to experience these paintings freshly before they join the huge canon of overreproduced masterpieces of early modern art. Then by all means reflect on Albert Barnes, and why nobody like him and nothing like his collection could exist today...

Author: /time Magazine | Title: Art: Opening The Barnes Door | 5/10/1993 | See Source »

...crowd" is to forge ahead with the integration of Europe. Kohl may be a better Europeanist than anybody else in Europe. "There was a tremendous sense of relief in the French delegation as we came back from Maastricht," recalls Maurice Gourdot- Montagne, a spokesman at the Quai d'Orsay. "We bet on Helmut Kohl because he is the most European...

Author: /time Magazine | Title: Europe The New Germany Flexes Its Muscles | 4/13/1992 | See Source »

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